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Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it ...
Aten, properly called The Dazzling Aten [a] though dubbed initially by archaeologists the Rise of Aten, [1] [b] is the remains of an ancient Egyptian city on the west bank of the Nile [2] in the Theban Necropolis near Luxor. Named after Egyptian sun god Aten, the city appears to have remained relatively intact for over three millennia.
Maki-e. Maki-e (蒔絵, literally: sprinkled picture (or design)) is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware. The origin of the term maki-e is a ...
e. Benin art is the art from the Kingdom of Benin [1] or Edo Empire (1440–1897), a pre-colonial African state located in what is now known as the Southern region of Nigeria. [2] Primarily made of cast bronze and carved ivory, Benin art was produced mainly for the court of the Oba of Benin – a divine ruler for whom the craftsmen produced a ...
Vorticism. Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in Blast magazine. Familiar forms of representational art were rejected in favour of a ...
In the Museum of Brussels there is a portrait [by Simonau] of a man, a strong, impasto painting, with the warm colours and the beautiful dazzling whites of Reynolds, and above all the excellent work "The Organ Player", dated 1828, robust, frank, beautifully painted, reminiscent of Franz Hals.
In art, chiaroscuro ( English: / kiˌɑːrəˈsk ( j) ʊəroʊ / kee-AR-ə-SKOOR-oh, -SKURE-, Italian: [ˌkjaroˈskuːro]; lit. 'light-dark') is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of ...
Cloisonné. Pectoral of Senusret II, from his daughter's grave, using shaped stones rather than enamel. Cloisonné inlays on gold of carnelian, feldspar, garnet, turquoise, lapis lazuli, 1880s BC. Chinese Ming Dynasty cloisonné enamel bowl, using nine colours of enamel. Cloisonné ( French: [klwazɔne]) is an ancient technique for decorating ...