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1920s in jazz. The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. [1] Dances such as the Charleston and the Black Bottom were very popular during ...
The Jazz Age was a period in the 1920s and 30s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New Orleans as mainly sourced from the culture of African Americans, jazz played a significant part in wider ...
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards ...
Allowing jazz to rise up in American culture brought many unique things to music in 1920. New instrumental, orchestral, and rhythmic techniques were introduced, as well as twelve-bar blues, emotional expressiveness, a new scale, and unique forms (Murchison 98). In 1917, many jazz record companies began to conceal their identity because racial ...
Orchestral jazz or symphonic jazz is a form of jazz that developed in New York City in the 1920s. Early innovators of the genre, such as Fletcher Henderson and Duke Ellington, include some of the most highly regarded musicians, composers, and arrangers in all of jazz history. [ 1 ] The fusion of jazz's rhythmic and instrumental characteristics ...
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony and African rhythmic rituals.
Western swing. Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. Swing bands usually featured soloists who would improvise on the melody over the arrangement.
Coming to prominence in the 1920s as an inventive trumpet and cornet player, he was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. [5] Around 1922, Armstrong followed his mentor, Joe "King" Oliver, to Chicago to play in Oliver's Creole Jazz Band.