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Dazzled and Deceived: Mimicry and Camouflage is a 2009 book on camouflage and mimicry, in nature and military usage, by the science writer and journalist Peter Forbes.It covers the history of these topics from the 19th century onwards, describing the discoveries of Henry Walter Bates, Alfred Russel Wallace and Fritz Müller, especially their studies of butterflies in the Amazon.
Peter Forbes, in his book Dazzled and Deceived, wrote that. Cott's Adaptive Coloration in Animals must be the only compendious zoology tract ever to be packed in a soldier's kitbag. The book also marks the apotheosis of the descriptive natural history phase of mimicry studies. Although Cott does report experiments on predation to test the ...
USS West Mahomet in dazzle camouflage, 1918 Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards.
École des beaux-arts de Paris. Known for. Pastel painting. Movement. Symbolism. Elected. Légion d'honneur. Lucien-Victor Guirand de Scévola (14 November 1871 in Sète, France – 29 March 1950 in Paris) was a French painter. He is known for his pioneering leadership of the Camoufleurs (the French Camouflage Department) in World War I.
The dominant camouflage methods on land are countershading and disruptive coloration, supported by less frequent usage of many other methods. [4] The dominant camouflage methods in the open ocean are transparency, [5] reflection, and counterillumination. [6] Transparency and reflectivity are dominant in the top 100 metres (330 ft) of the ocean ...
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Produced. 1948–1979. The ERDL pattern, also known as the Leaf pattern, [2] is a camouflage pattern developed by the United States Army at its Engineer Research & Development Laboratories (ERDL) in 1948. [3] [4] It was not used until the Vietnam War, when it was issued to elite reconnaissance and special operations units beginning early 1967.
Distractive markings serve to camouflage animals or military vehicles by drawing the observer's attention away from the object as a whole, such as noticing its outline. This delays recognition. The markings necessarily have high contrast and are thus in themselves conspicuous. The mechanism therefore relies, as does camouflage as a whole, on ...