Search results
Results From The WOW.Com Content Network
Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it ...
Photo caption. Photo captions, also known as cutlines, are a few lines of text used to explain and elaborate on published photographs. [1] In some cases captions and cutlines are distinguished, where the caption is a short (usually one-line) title/explanation for the photo, while the cutline is a longer, prose block under the caption, generally ...
Didot (typeface) Didot is a group of typefaces. The word/name Didot came from the famous French printing and type producing Didot family. [1] The classification is known as modern, or Didone . The most famous Didot typefaces were developed in the period 1784–1811. Firmin Didot (1764–1836) cut the letters, and cast them as type in Paris.
AOL latest headlines, entertainment, sports, articles for business, health and world news.
Dazzle consists in painting obtrusive patterns on vertical surfaces. Unlike some other forms of camouflage, dazzle works not by offering concealment but by making it difficult to estimate a target's range, speed and heading. Each ship's dazzle pattern was unique to make it more difficult for the enemy to recognize different classes of ships.
In American football, a play is a close-to-the-ground plan of action or strategy used to move the ball down the field. A play begins at either the snap from the center or at kickoff. Most commonly, plays occur at the snap during a down. These plays range from basic to very intricate. Football players keep a record of these plays in a playbook.
Motion camouflage. Principle of motion camouflage by mimicking the optic flow of the background. An attacker flies towards a target, choosing its path so that it remains on a line between target and a real point behind the attacker; this path differs from classical pursuit, and is often shorter (as illustrated here).
Axial cut. An axial cut is a type of jump cut, where the camera suddenly moves closer to or further away from its subject, along an invisible line drawn straight between the camera and the subject. [1] While a plain jump cut typically involves a temporal discontinuity (an apparent jump in time), an axial cut is a way of maintaining the illusion ...