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A novelty song is a type of song built upon some form of novel concept, such as a gimmick, a piece of humor, or a sample of popular culture. Novelty songs partially overlap with comedy songs, which are more explicitly based on humor, and with musical parody, especially when the novel gimmick is another popular song.
I'm a Little Teapot. I'm a Nut. I'm Afraid to Come Home in the Dark. I'm an Individual. I'm Henery the Eighth, I Am. I'm My Own Grandpa. I'm the Urban Spaceman. I've danced with a man, who's danced with a girl, who's danced with the Prince of Wales. I've Got a Lovely Bunch of Coconuts.
Novelty piano is a genre of piano and novelty music that was popular during the 1920s. A successor to ragtime and an outgrowth of the piano roll music of the 1910s, it can be considered a pianistic cousin of jazz, which appeared around the same time. "Nola," a 1915 composition by New York pianist Felix Arndt, is generally considered the first ...
Edward Elzear "Zez" Confrey (3 April 1895 – 22 November 1971) [1] was an American composer and performer of novelty piano and jazz music. His most noted works were "Kitten on the Keys" and "Dizzy Fingers." Studying at the Chicago Musical College and becoming enthralled by French impressionists played a critical role in how he composed and ...
Yankovic's career in novelty and comedy music has outlasted many of his "mainstream" parody targets, such as Toni Basil, MC Hammer, and Men Without Hats. [ 92 ] [ 93 ] Yankovic's continued success (including the top 10 single "White & Nerdy" and album Straight Outta Lynwood in 2006) has enabled him to escape the one-hit wonder stigma often ...
My Ding-a-Ling. " My Ding-a-Ling " is a novelty song written and recorded by Dave Bartholomew. It was covered by Chuck Berry in 1972 and became his only number-one Billboard Hot 100 single in the United States. [1] Later that year, a longer version was included on the album The London Chuck Berry Sessions.
Winchester Cathedral (song) " Winchester Cathedral " is a song by the New Vaudeville Band, a British novelty group established by the song's composer, Geoff Stephens, and was released in late 1966 by Fontana Records. It reached number 1 in Canada on the RPM 100 chart, co-charting with the Dana Rollin version, [5] and shortly thereafter in the U ...
Villame was the first to brand his music as "novelty" to distinguish himself from his contemporaries, who tried hard to sound like Perry Como or Frank Sinatra. It was the beginning of a long list of albums and recordings of his politically inspired songs in Bisaya, Tagalog and English. [5]
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