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Structural coloration in animals, and a few plants, is the production of colour by microscopically structured surfaces fine enough to interfere with visible light instead of pigments, although some structural coloration occurs in combination with pigments. For example, peacock tail feathers are pigmented brown, but their microscopic structure ...
Iridescence (also known as goniochromism) is the phenomenon of certain surfaces that appear gradually to change colour as the angle of view or the angle of illumination changes. Iridescence is caused by wave interference of light in microstructures or thin films. Examples of iridescence include soap bubbles, feathers, butterfly wings and ...
Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it ...
Known for dazzling color and dizzying pattern, Miles Redd brings new life into an outdated Victorian home in New Jersey. Lacquered walls in Benjamin's Moore's Bird's Egg and a fanciful curtain ...
Color theory, or more specifically traditional color theory, is the historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. [1] Modern color theory is generally referred to as Color science. While there is no clear distinction in scope ...
Dazzle may refer to: Glare (vision), difficulty seeing in the presence of bright light. Dazzle (manga), a Japanese manga series by Minari Endoh. "Dazzle" (song), a song by Siouxsie & the Banshees. Dazzle camouflage, a paint scheme used on ships during World War I. Dazzle, an American disco act featuring Leroy Burgess.
A dazzler is a non- lethal weapon which uses intense directed radiation to temporarily disorient its target with flash blindness. They can effectively deter further advances, regardless of language or cultural barriers, but can also be used for hailing and warning. [1] Targets can include electronic sensors as well as human vision.
He played a known role in redefining painting in the 1950s and 1960s with what critics called zero-degree abstraction, but with maximal-ism in dazzling color combinations.