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Smooth jazz. Smooth jazz is a term used to describe commercially oriented crossover jazz music. Although often described as a "genre", it is a debatable and highly controversial subject in jazz music circles. As a radio format, however, it is clear that smooth jazz became the successor to easy listening music on radio station programming in the ...
Dixieland music or New Orleans jazz, sometimes referred to as hot jazz or early jazz, is a style of jazz music which developed in New Orleans at the start of the 20th century. Stylistically, it is essentially a form of Ragtime typically transposed for brass band, banjo or clarinet. 1900s -> Electro Swing [3]
Smooth jazz was a popular radio format that included songs by artists such as George Benson, Pat Metheny, Kenny G, Luther Vandross, Sade, Robin Thicke, Anita Baker, Basia, Dave Koz and Chuck Mangione. It began in the 1980s as "adult alternative" or NAC (New Age Contemporary or New Adult Contemporary), a well-defined radio format, with jazz, new ...
This is a glossary of jazz and popular music terms that are likely to be encountered in printed popular music songbooks, fake books and vocal scores, big band scores, jazz, and rock concert reviews, and album liner notes. This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound ...
In the early 1980s, a commercial form of jazz fusion called pop fusion or "smooth jazz" became successful and garnered significant radio airplay. Smooth jazz saxophonists include Grover Washington Jr., Kenny G, Kirk Whalum, Boney James, and David Sanborn.
Furthermore, I question the assumption that smooth jazz is an unfortunate and unwelcomed evolutionary outcome of the jazz-fusion era. Instead, I argue that smooth jazz is a long-lived musical style that merits multi-disciplinary analyses of its origins, critical dialogues, performance practice, and reception. [210]
Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock music's rhythms, electric instruments and the highly amplified stage sound. In the early 1980s, a commercial form of jazz fusion called smooth jazz became successful, garnering significant radio airplay.
Bob Baldwin; David Benoit; Alex Bugnon; Brian Culbertson; Eumir Deodato; Terry Disley; George Duke; Ronnie Foster; Jonathan Fritzén; Chris Geith; Tom Grant; Dave Grusin