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Kansas City jazz is a style of jazz that developed in Kansas City, Missouri during the 1920s and 1930s, which marked the transition from the structured big band style to the much more improvisational style of bebop. The hard- swinging, bluesy transition style is bracketed by Count Basie, who in 1929 signed with Bennie Moten 's Kansas City ...
The American Jazz Museum is located in the historic 18th and Vine district of Kansas City, Missouri. The museum preserves the history of American jazz music, with exhibits on Charlie Parker, Duke Ellington, Louis Armstrong, Ella Fitzgerald and others.
Benjamin Moten (November 13, 1893 – April 2, 1935) was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States. [3] He led his Kansas City Orchestra, the most important of the regional, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that would come to ...
He played with local bands in jazz clubs around Kansas City, Missouri, where he perfected his technique, with the assistance of Buster Smith, whose dynamic transitions to double and triple time influenced Parker's developing style.
"Moten Swing" (originally "Moten's Swing") is a 1932 jazz standard by Bennie Moten and his Kansas City Orchestra. It was an important jazz standard in the move towards a freer form of orchestral jazz and the development of Swing music.
Coon-Sanders Original Nighthawk Orchestra was the first Kansas City jazz band to achieve national recognition, which it acquired through national radio broadcasts. It was founded in 1918, as the Coon-Sanders Novelty Orchestra, by drummer Carleton Coon and pianist Joe Sanders .
In 1933, Young settled in Kansas City, where after playing briefly in several bands, he rose to prominence with Count Basie. His playing in the Basie band was characterized by a relaxed style which contrasted sharply with the more forceful approach of Coleman Hawkins, the dominant tenor sax player of the day.
Kansas City jazz is a riff-based and blues-influenced sound developed in jam sessions in the neighborhood's crowded clubs. Many notable jazz musicians of the 1930s and 1940s lived or got started here, including Charlie Parker.
However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. [7] In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational style), and gypsy jazz (a style that emphasized musette waltzes) were the prominent styles.
"Lester Leaps In" is a jazz standard originally recorded by Count Basie's Kansas City Seven in 1939. The composition, credited to the group's tenor saxophone player Lester Young, is a contrafact based on the chord progression of "I Got Rhythm", and serves as a vehicle for interweaving solos by Young and Basie.