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Kansas City jazz is a style of jazz that developed in Kansas City, Missouri during the 1920s and 1930s, which marked the transition from the structured big band style to the much more improvisational style of bebop. The hard- swinging, bluesy transition style is bracketed by Count Basie, who in 1929 signed with Bennie Moten 's Kansas City ...
Copyrighted to Buster and Bennie Moten, authorship disputed by Count Basie who claims authorship with Eddie Durham [1] " Moten Swing " (originally " Moten's Swing ") is a 1932 jazz standard by Bennie Moten and his Kansas City Orchestra. It was an important jazz standard in the move towards a freer form of orchestral jazz and the development of ...
He led his Kansas City Orchestra, the most important of the regional, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that would come to define many of the 1930s big bands. The jazz standard "Moten Swing" bears his name.
In the mid-1930s, Benny Goodman hired pianist Teddy Wilson, vibraphonist Lionel Hampton, and guitarist Charlie Christian to join small groups. Kansas City Jazz in the 1930s as exemplified by tenor saxophonist Lester Young marked the transition from big bands to the bebop influence of the 1940s.
The museum includes an exhibit of a working jazz club, designed to look like a 1930s nightclub and named after the Street Hotel 's Blue Room, which was famous in the 1930s and 1940s in the segregated district. During that era, jazz clubs were open 24 hours a day.
Kansas City jazz is a riff-based and blues-influenced sound developed in jam sessions in the neighborhood's crowded clubs. Many notable jazz musicians of the 1930s and 1940s lived or got started here, including Charlie Parker.
In the 1930s, rhythm instruments made dramatic advances toward the foreground of jazz. In the process, they helped set the stage for bebop. In 1939, Duke Ellington discovered virtuoso young bassist Jimmie Blanton and hired him into his Orchestra.
Kansas City jazz in the 1930s marked the transition from big bands to the bebop influence of the 1940s. The 1979 documentary The Last of the Blue Devils portrays this era in interviews and performances by local jazz figures. Kansas City Jazz Orchestra is big band style.
In the 1930s, Kansas City Jazz as exemplified by tenor saxophonist Lester Young marked the transition from big bands to the bebop influence of the 1940s. An early 1940s style known as "jumping the blues" or jump blues used small combos, uptempo music and blues chord progressions, drawing on boogie-woogie from the 1930s.
"Lester Leaps In" is a jazz standard originally recorded by Count Basie's Kansas City Seven in 1939. The composition, credited to the group's tenor saxophone player Lester Young, is a contrafact based on the chord progression of "I Got Rhythm", and serves as a vehicle for interweaving solos by Young and Basie.