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Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it ...
Camouflage is the use of any combination of materials, coloration, or illumination for concealment, either by making animals or objects hard to see, or by disguising them as something else. Examples include the leopard 's spotted coat, the battledress of a modern soldier, and the leaf-mimic katydid 's wings.
Giclée ( / ʒiːˈkleɪ / zhee-KLAY) describes digital prints intended as fine art and produced by inkjet printers. [1] The term is a neologism, ultimately derived from the French word gicleur, coined in 1991 by printmaker Jack Duganne. The name was originally applied to fine art prints created on a modified Iris printer in a process invented ...
The Dazzle ships of the 14–18 NOW project are artworks created to commemorate the work of the artists and artisans who developed and designed the dazzle camouflage used in the First World War by ships as a defence against U-boat attack. MV Snowdrop, at Birkenhead, in dazzle livery. HMS President displaying dazzle livery by Tobias Rehberger.
Graphic arts. A category of fine art, graphic art covers a broad range of visual artistic expression, typically two-dimensional, i.e. produced on a flat surface. [1] The term usually refers to the arts that rely more on line, color or tone, especially drawing and the various forms of engraving; [2] it is sometimes understood to refer ...
An old master print (also spaced masterprint) is a work of art produced by a printing process within the Western tradition. The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that ...
In the first state the background is plain; the landscape of state II was probably added some years later. In printmaking, a state is a different form of a print, caused by a deliberate and permanent change to a matrix such as a copper plate (for engravings etc.) or woodblock (for woodcut ). Artists often take prints from a plate (or block, etc ...
The larger print rooms contain examples of most of the Old Master prints that are likely to have articles. Only very rare prints, or prints for which a drawing is also held, should be categorized by museum.
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