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The Modern Jazz Quartet was formed out of the foursome's need for more freedom and complexity than Gillespie's big band, dance-intended sound allowed. [18] While Lewis wanted the MJQ to have more improvisational freedom, he also wanted to incorporate some classical elements and arrangements into his compositions. [14]
Minton's original owner, Henry Minton, was known in Harlem for being the first ever black delegate to the American Federation of Musicians Local 802. [3] In addition, he had been the manager of the Rhythm Club, in Harlem, in the early part of the 1930s, a venue which Louis Armstrong, Fats Waller, James P. Johnson, and Earl Hines frequented. [4]
The Fender Jazz Bass (often shortened to "J-Bass") is the second model of electric bass created by Leo Fender.It is distinct from the Precision Bass in that its tone is brighter and richer in the midrange and treble [1] with less emphasis on the fundamental frequency. [2]
Polyphony (/ p ə ˈ l ɪ f ə n i / pə-LIF-ə-nee) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice or a texture with one dominant melodic voice accompanied by chords ().
Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller, and Artie Shaw.
Country (also called country and western) is a music genre originating in the southern regions of the United States, both the American South and the Southwest.First produced in the 1920s, country music is primarily focused on singing stories about working-class and blue-collar American life.
Smooth jazz was a popular radio format that included songs by artists such as George Benson, Pat Metheny, Kenny G, Luther Vandross, Sade, Robin Thicke, Anita Baker, Basia, Dave Koz and Chuck Mangione.
The four string plectrum and tenor banjos did not eliminate the five-string variety. They were products of their times and musical purposes—ragtime and jazz dance music and theater music. The Great Depression is a visible line to mark the end of the Jazz Age. [52]